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Cover of Late Unpleasantness by David Bettencourt: a black-and-white photograph of a police line facing protesters, the title set in red across banded panels.
Forthcoming — July 17, 2026

Late Unpleasantness

By David Bettencourt

In Late Unpleasantness, David Bettencourt writes from the charged ground between public catastrophe and private reckoning. These poems move through 9/11, gun violence, authoritarian dread, inherited Southern history, religious memory, protest, marriage, grief, and grace, asking what can still be said when the old consolations have failed. The voice is unsparing, but not cold. Anger appears here as a form of grief. Judgment turns, again and again, toward self-implication.

And through the book's severest passages runs an unexpected tenderness, a desire not merely to accuse the world, but to survive it without surrendering love. Published alongside its companion volume, Commedia Erudita, this collection completes a two-part meditation on brokenness, forgiveness, and the difficult work of learning to disarm.

Available July 17, 2026

GenrePoetry
ISBN979-8-234-08225-1
Pages105
FormatUS Trade paperback, 6 × 9 in (152 × 229 mm), perfect bound, matte cover, black & white on 60# white uncoated
List price$15.00 USD
Publication dateJuly 17, 2026
Companion volumeCommedia Erudita

From the collection

EMERGENCY

How long can our mouths stay dry
How long must we listen
Around the permanent bell
How long can the snare
Purr and rattle
How long can the footnote for
Every word in print
Read lies, lies, lies
How long can we
Fill our walk-in closets
With rifles and food
How long can we stand
In the wet copse
With our ears cocked
With no moon to show if
The gait of the shadow
Rolling to us is a man's
Or, luckier still, a friend's

I have stopped understanding
Even these questions
When we are dead
In a hundred years
The permanent bell
Will not have stilled
Even the baby showers will feel
Like drills for the end of the world

September 8, 2021

David Bettencourt is a poet and songwriter living in the Washington, D.C., area with his family. His writing draws on his upbringing in the Deep South, his time as a teenage seminarian, and his past work as a civil rights lawyer.

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